Motawi Tileworks on Advancer® Kiln Shelves

 

Motawi Tilesworks 

Come to Motawi Tileworks on any given day and you can find founder Nawal Motawi and her studio team hard at work making Motawi Tile in their Ann Arbor studio. Using locally-produced clay and glazes that are mixed on-site to their own recipes, Nawal and the Motawi team are passionate about exploring new design, technical ideas and healthy business practices. The studio team has turned their emphasis toward recycling and energy efficiency as next steps in improving their own environmental responsibility, which may be one of several reasons their production staff agrees, “Advancer® kiln shelves are our #1 choice in kiln shelves.”

Aside from the fact that the thinner cross-sections and excellent thermal properties of Advancer® shelves result in faster heat transfer and greater energy efficiency, the Motawi Tileworks team has experienced several other benefits from their Advancer® kiln shelves. When asked how using Advancer® shelves has impacted their firing, their work and/or their life, they had great things to say.

Their Work

“Dependable product with no unexpected issues.”

“Durable and easy to keep clean, helping lower our kiln debris related defects.”

“Advancers® last longer than kiln shelves made with other materials.”

“Advancers® all allow us to get more square footage in each kiln load.” 

Their Lives

“Advancers® are easier on your body because they are lighter than other kiln shelves.”

“Advancers® are easier and safer to pick up, less shape shelf fragments.”

While oxidation firing tiles in their electric kilns, Nawal and her studio team separate their Advancer® shelves with standard kiln posts. When bisque firing, they load tiles vertically from front to back on the Advancer® shelves, which is typically a very heavy load. And when glaze firing, the Motawi Tileworks team loads their tiles horizontally on the back of their Advancer® shelves.

Overall, the team at Motawi Tileworks sees their Advancer® kiln shelves as a great investment. They have not had to replace them!

 
About Motawi Tileworks

Motawi Tileworks
170 Enterprise Drive
Ann Arbor, MI 48103
www.motawi.com
Find us on Facebook – Motawi Tileworks

Having studied sculpture, ceramics and glaze chemistry, Nawal Motawi graduated from the University of Michigan with a degree in Fine Art. She founded the Tileworks in a small garage in 1992, set up a table at the local farmer’s market and was commissioned to create her first local fireplace installation. Today Nawal employs over 20 artisans and staff in the 12,000 sq. ft facility in Ann Arbor, Michigan.

“We make Motawi Tile in our Ann Arbor studio using locally-produced clay and glazes that are mixed on-site to our own recipes. Our aesthetic influences include early 20th Century decorative artists such as Mary Chase Stratton, Adelaide Robineau, Louis Sullivan, William DeMorgan, Dard Hunter and Frank Lloyd Wright. Our designs have evolved from our continuous exploration of historic decorative art.” Nawal believes “in respecting the best of historical design - rendering old motifs in new ways and creating works that will be enjoyed in this lifetime and passed down for generations to come.”

Nawal is passionate about exploring new design, technical ideas and healthy business practices. The studio team has turned their emphasis toward recycling and energy efficiency, their next steps in improving their own environmental responsibility. Motawi’s arts and education “outreach” programs are a positive artistic force in the community.

Whey you buy a piece of art with your own money, it’s because it speaks to you in a way that words cannot express. It provides a daily dose of beauty. Nawal whole-heartedly believes we are all a little happier when surrounded by such accessible art. It’s a high compliment to us that so many people choose our tile as a special gift or for their own home. Motawi Tileworks’ handcrafted tile can be found in homes and businesses nationwide and is featured in over 375 gift shops, galleries, museum shops, botanic gardens and home decor galleries worldwide.


12 comments (Add your own)

1. Aldy wrote:
I really love these new borechos!! Can't believe I have only just discovered them. Super happy Finders keeps was a hit. What were you so nervous about huh??!!xo Steph

Mon, May 14, 2012 @ 10:12 PM

2. Kusasira wrote:
these are so pretty! I've been lokniog for frame pendants that have magnetic closure so you can put them on whatever necklace you want. Have you seen them? Know where i might find some?

Tue, May 15, 2012 @ 2:41 AM

3. Nicole wrote:
Oh, WOW! These are all very lovely. What an amanzig talent you've re-awakened. Your studio looks very cozy. Great to read about your process and see you keep going.

Tue, May 15, 2012 @ 4:17 AM

4. Oniko wrote:
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Wed, May 16, 2012 @ 11:32 PM

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8. Tere wrote:
Hi everyone ! I was widoernng, since the weather has been so warm this season if a raku firing will be offered before the spring ? I'd love to start working with the raku clay and am starting to think about raku ideas. Thanks for any input.

Mon, July 30, 2012 @ 5:25 AM

9. Nico wrote:
i know very little about cemcrias or pottery, but i so understand your anticipation of opening that kiln. It looks beautiful from where i sit. found you via CED. Happy creating!xoxo

Mon, July 30, 2012 @ 11:28 AM

10. Cemjohn wrote:
Tonya I settled on 4 x 4.5 I tried 4 x 6 for a note card hleodr, but the taller it got the more unstable it was. I full fused a double layer and did not grind corners. I grind as little as possible. I held the slump for a long time to try to get the bottom as flat as possible. I added bumpons for added stability. I definitely want to try a single piece of glass. Here is advice I got when I asked Slumpys:I typically use the slump schedule for a lot of my stainless steel because I want to get more definition from the molds. I have also been known to drape at a temperature of 1265b0F. I am curious if the stainless steel molds you have are bent from shipping. If the top of the molds (where you balance the glass) is perfectly flat, they may have been bent in shipping. This can be fixed by bending. Please let me know if you glass piece is extremely rocking. Using two sheet of fused glass on any mold will yield softer corners. A single sheet of glass slumped over the mold will take more of that angled corner.Let me know if you come up with any tips you can share!

Mon, July 30, 2012 @ 1:45 PM

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